On Wednesday night I left the movie unable to utter a word. And after having witnessed the masterpiece of the duo González Iñárritu, Guillermo Arriaga, "Babel", the words become low enough to describe the streak of strong emotions that one goes through during the two hours of fierce Clinging the chair. Surprisingly
so deep indent Guillermo Arriaga. Surprising is the guiding hand of González Iñárritu. Surprise photography Rodrigo Prieto, with perhaps the finest production that have seen him in one of his films. Surprised by far the musical score by Argentine Gustavo Santaolalla, who is noted in the striking final shot. Gael surprised.
Surprisingly, yes, but ns take it to hell.
is therefore a history of these Guillermo Arriaga only conceivable in a complex space-time, non-linearity and chaotic, but deep down that bloody chaos as there is still hope.
It is this glimmer of hope that sun that filters through the clouds, the news that the storm someday will end up becoming calm, it makes us feel alive, feel men, and thus find the only way to see this film of exquisite beauty.
Bombadehormigas.
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